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These include alliteration, enjambment, juxtaposition, and caesura. Alliteration occurs when words are used in succession, or at least appear close together, and begin with the same letter. It appears a number of times in this piece, but a few examples include “flower” and “froth” in line seven of the first stanza and “design” and “darkness” in line five of the second stanza. The line-storm clouds fly tattered and swift, The road is forlorn all day, Where a myriad snowy quartz stones lift, And the hoof-prints vanish away.
Analysis of Literary Devices Used in Design
Although he continues to discuss the spider, insects, and flower, he is really discussing the greater situation of humanity. Juxtaposition appears when two contrasting things are placed near one another in order to emphasize that contrast. A poet usually does this in order to speak on a larger theme of their text or make an important point about the differences between these two things. For instance, the moth is described as “white…stain cloth,” (white is generally a symbol of purity or innocence) in line three of the first stanza, and the following reference to “death and blight”. ‘Design’ by Robert Frost is a fourteen-line sonnet that is separated into two stanzas.
Fragmentary Blue
But then again, how did suffering make its way into the design if there is indeed a higher power steering this ship? The second issue that this poem wrestles with is called theodicy, which is the attempt to explain how evil things happen if a good and loving god created the world. Unlike most famous poets of the 20th century who were known for writing free-form poetry, Frost’s best-known poems stuck with traditional rhymes and meters (e.g. Stopping By Woods on a Snowy Evening, The Road Not Taken)–“Design” is not an exception. While Frost's poetry is very traditional in form, the poet is known for his dark and modern take on universal themes such as the existence of God. The first stanza of "Design" describes the spider, the moth, and the flower. The spider and insects are characters, and the flower is the setting.
Summary and Analysis

Born in San Francisco in 1874, he lived and taught for many years in Massachusetts and Vermont.

In 1912, he sold the farm and used the money to move to England. During a three-year self-imposed exile in Beaconsfield, Buckinghamshire, he scraped for cash. He came under the influence of poet Rupert Brooke and published A Boy's Will (1913), followed by the solidly successful North of Boston (1914), which contains "Mending Wall," "The Death of the Hired Man," "Home Burial," and "After Apple-Picking." So if the meaning of life and the nature of existence isn't really a big deal to you, then you can probably go ahead and skip "Design." But if you think a little something called the universe matters at all, then you've got plenty of reasons to care about this poem. Even so, we're guessing that these questions have crossed your mind before now.
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Of course, you probably didn't come here for a theology lesson, but Frost is going to give you one anyway. In "Design," Frost is wrestling with two foundational arguments. The first is the "argument from design," which we see in the title.
It occurs when a line is cut off before its natural stopping point. Enjambment forces a reader down to the next line, and the next, quickly. One has to move forward in order to comfortably resolve a phrase or sentence. For instance, the transition between the fourth and fifth lines of the first stanza.
Fall Poems
The speaker recalls once choosing one of two forks in a road through the woods. Settling for the less-worn fork, the traveler notes, with some regret, that normal momentum would cause him to press ahead, thus negating a return trip to try the other path. By bringing all these white things together, the speaker is trying to highlight the food chain lying in the nature. The moth has gone there in search of the juice of heal-all flower and spider has gone there in search of the moth.
LitCharts on Other Poems by Robert Frost
Although the poet observes a small area in nature, he makes a bigger statement about how darkness and chaos exist between nature and humanity. On top of these themes, he also questions if God exists and asks the reader to question this too. The white color is generally a symbol of purity and innocence, but in this poem this color has been contrasted with its meaning.
Robert Frost's poem "Design" is an Italian sonnet because it has two stanzas (a group of lines) that are made up of a group of eight lines and a group of six lines, for a total of 14 lines. The first stanza has the structure of iambic pentameter and a rhyme scheme of ABBA ABBA. The second stanza ends the poem with rhyming couplets. The first stanza describes the life of a white spider, describing a dead moth and other insects it caught as a monstrous witches' broth.
Ashlyn Elofson is principal interior designer and owner of Trends By Design, a luxury residential interior design studio and retail showroom in Baton Rouge, Louisiana. Trends By Design strives to create innovative and functional spaces that cater to each client by building relationships and understanding unique lifestyles and homeowner’s personal needs for their spaces. Ashlyn graduated from Louisiana State University’s Interior Design program and went on to receive her NCIDQ Interior Design Certification. Ashlyn brings a fresh perspective to remodels, new construction, or furnishing projects. Metcalf’s lecture also allowed them to discuss “Frost’s self-mythology.” If Bergman and Bennington are looking for ways to keep Frost relevant, self-mythology is a good place to start. Perhaps an even more surprising thing to discover while standing in this room is that Frost wrote that classic winter rhyme on a hot summer morning, not unlike today.
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